Hamako mori fortnite12/5/2023 It is not real, of course, but it gets closer.Ģ. Your joypad shaking at the most violent transitions aims at replicating a live experience. Interaction is powerful than visual design. What’s next, though? In a world where lines between learning and entertainment are increasingly blurred, where participation defines the storyline and can virtually stretch it to an open-ended story, what can the Travis Scott event teach to corporate learning?ġ. Last year’s report from IBM revealed that companies estimate it takes 36 days on average to re-skill or up-skill employees – up from just 3 days a mere five years ago! Covid-19 has accelerated this trend. A transition fueled by a need for scale and speed. With most of the world population quarantined, business and education have rushed their transition to digital. Ask Hamako Mori, the world’s oldest gamer for reference. To dismiss Fortnite as the latest social network or as a toxic hobby for nerds would be a mistake, though. ![]() Bottom line, it remained the biggest game of the year for 2019 in terms of revenue, ranking in an impressive $1.8 billion, according to research firm SuperData. The game is free to download, but all features to improve the experience are not. The first reason of this success is Unreal Engine, its graphic engine. Its business model is the second. Started as a videogame, it has grown its influence beyond possibilities we could imagine a few years ago. However, the event and its staggering numbers unfolds new scenarios for entertainment and for learning.įortnite is a close realization of a meta-world that lives by its own rules, and it’s not the only one. No way you can reproduce online the physical experience of a live performance. As I write, the full video has over 36million views and counting. ![]() On April 26, 12 million people logged in to ‘live’ and participate to the world premiere of his new song. ![]() What makes me think again of Travis Scott’s performance on Fortnite last month. Live events are cancelled and I’ll have to wait until 2021 to watch Ian Gillan on stage.
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